Minimalism Slides

a system, not a theme

林協霆 HSIEH-TING LIN · 和信治癌中心 腫瘤內科部
mail@hsiehting.com

Part One

fundamentals
Vignelli M. The Vignelli Canon. Lars Müller Publishers; 2010.

What we keep

three things, nothing else
Vignelli M. The Vignelli Canon. Lars Müller Publishers; 2010:14-21.

What we remove

negative space is the design

No logos, no slide footers, no decorative rules, no shadows, no gradients, no transitions. A page number and a progress bar are the only persistent chrome. Everything else must earn its place in the content.

Rams D. Ten Principles for Good Design. Vitsœ; 1980.

The grid

one column, generous padding
--pad-x: 8vw;
--pad-y: 12vh;
font:    Roboto Mono, weights 300 / 400 / 500
ink:     #111 on #fff
rule:    #999  (1px)
muted:   #666
Müller-Brockmann J. Grid Systems in Graphic Design. 4th ed. Verlag Niggli AG; 1996.

On restraint

quoted with apology

Less, but better — because it concentrates on the essential aspects, and the products are not burdened with non-essentials.

Dieter Rams
Rams D. Less but better. Jo Klatt Design+Design Verlag; 1995:7.

Callouts

asides without chrome
Iverson C, Christiansen S, Flanagin A, et al. AMA Manual of Style. 11th ed. Oxford University Press; 2020.

Two columns, when needed

compare, contrast
Kept
  • Page number
  • Progress bar
  • Subtitle rhythm
Removed
  • Theme toggle
  • Transitions
  • Slide footers
Bringhurst R. The Elements of Typographic Style. 4th ed. Hartley & Marks; 2013:175-190.

Picture with caption

image right, text left

Use this layout to give a figure breathing room. The text column carries the title, subtitle, and a short description.

The image column holds one figure with an optional caption beneath — perfect for screenshots, diagrams, or single hero shots.

Placeholder figure — replace with your image.
Bringhurst R. The Elements of Typographic Style. 4th ed. Hartley & Marks; 2013.

The type scale

one master, every rem follows
screen 1 rem h1 · 2 rem h2 · 1.6 rem page no.
1366 × 768 28 px 56 px 45 px 14 px
1920 × 1080 39 px 78 px 62 px 19 px
2560 × 1440 52 px 104 px 83 px 26 px
3840 × 2160 78 px 156 px 125 px 39 px
html { font-size: max(28px, 3.6vmin) } — single source for the whole deck.
Müller-Brockmann J. Grid Systems in Graphic Design. 4th ed. Verlag Niggli AG; 1996.

Density test

auto-fit shrinks body type when content overflows
# Principle Why
01Good design is innovativeInnovation moves in step with technology
02Good design makes a product usefulFunction precedes decoration
03Good design is aestheticBeauty matters because the product is used daily
04Good design makes a product understandableClarity reveals the product's structure
05Good design is unobtrusiveTools, neither decorative nor artistic
06Good design is honestIt does not deceive about its capabilities
07Good design is long-lastingAvoids fashion, stays current for years
08Good design is thorough down to the last detailNothing arbitrary, everything intentional
09Good design is environmentally friendlyConserves resources, minimises pollution
10Good design is as little design as possibleLess, but better
Rams' principles — restated to test how aggressively auto-fit can scale the body.
Rams D. Ten Principles for Good Design. Vitsœ; 1980.

Density test, list

auto-fit also handles long lists
Vignelli M. The Vignelli Canon. Lars Müller Publishers; 2010:34-41.

Part Two

operating it
Norman D. The Design of Everyday Things. Revised ed. Basic Books; 2013.

Inputs

three ways in
Norman D. The Design of Everyday Things. Revised ed. Basic Books; 2013.

Keyboard

everything from the keys
→ ↓ PgDn Space
Next slide
← ↑ PgUp Shift+Space
Previous slide
Home / End
First / last slide
o / Esc
Toggle overview
Cmd/Ctrl + P
Print one slide per page
Norman D. The Design of Everyday Things. Revised ed. Basic Books; 2013:51-67.

End

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